So You Think You Can Dance 6: Top 16 Perform!
Posted by ERIN in So You Think You Can DanceNovember 11th, 2009, 12:59 AM
Tonight’s Top 16 dance-off on So You Think You Can Dance was a mixed bag, baby. Maybe I’m getting cynical on account of the bloggin’, but I wasn’t on the same page as the judges, who seemed to be WOWed and uhhh-mazed by everything. Also, the Top 12 from Season 5 were in the house (saw a lot of Jeanine Mason, Melissa Sandvig, Ade Obayomi, Evan Kasprzak and adorable Kupono Aweau). Unfortunately, they didn’t perform, so we just saw them grin and wave at the camera every chance they got. Videos of the dances (from MJ) and my thoughts ahead:
MY BOTTOM 3 COUPLES: Ellenore Scott & Ryan Di Lello, Channing Cooke & Victor Smalley, and Mollee Gray & Nathan Trasoras
Karen Hauer & Kevin Hunte – Hustle by Maria Torres - “Come to Me” by France Joli (VIDEO): Oh fellaaaas, Karen wants everyone to know that she is DIVORCING from her husband (remember they auditioned together?). Smart move, girl. You don’t wanna be tied down during your national debut. They Hustle which just reminds me of disco and do alright. Kevin was still the weak link of the pair. Judges love them (as do I), but probably give them more props than necessary.
Ashleigh Di Lello & Jakob Karr – Jazz by Mandy Moore - “Relax” by Frankie Goes to Hollywood (VIDEO): Ah, the “cane dance”. Okay, in the words of Tim Gunn, I was “woeful and a bit perplexed” about this dance. The judges were jumping up and down over it (suddenly really fawning over Ashleigh), and I like Mandy’s work, but c’monnnnn, this was just a ridonkulous excuse to use a prop (a cane) to try and get…props. I mean, much like last week’s Hip Hop tennis match, this was contrived and even less relevant to the performance (at least the tennis rackets were tied to the story last week). What was the cane symbolizing? Why was it there? A little backstory could’ve done wonders for me beyond Mandy’s “How can I challenge the crap out of my dancers AND get the judges’ attention - oh look! Aunt Bessie left her cane behind! *inspiration strikes*” The dance was supposed to be a trio of “Jakob, Ashleigh and the cane”. It was more like Jakob & the cane… oh and Ashleigh. She hardly engaged with it. I must admit that both of them (Jakob & Ashleigh, not the cane) looked pretty hot (or hawt) in the androgynous, 80’s glam style. Some of the movements were reminiscent of last season’s Wade Robson “robber” dance between Janette Manrara & Brandon Bryant (VIDEO). Be sure to re-watch THAT - tres genius.
Pauline Mata & Peter Sabasino - Quickstep by JT & Tomas - “Hey Baby! (Shake Those Hula Hips)” by Big Kahuna & the Copa Cat Pack (VIDEO): Aw, these two are a cute, smiley, dimpled couple but would they survive the “Dance of Death”? Well, thanks to clever choreography and a simple storyline (Peter’s a soldier who falls for Miss Hawaiian Hula Honey Pauline), these darlings skate by despite weak technical delivery. Adam, who was extra rambly tonight, makes a weird comment that the choreographers made use of Pauline’s “natural ethnicity” by putting her in the role of a hula girl. Hm. Isn’t she Filipina, not Hawaiian? I could be wrong, but Adam was sorta bugging tonight. Tick tock, tick tock - keep your feedback concise and leave unnecessary racial and ethnic comments out of it when possible please, Mr. Shankman.
Kathryn McCormick & Legacy Perez – Broadway by Andy Blankenbuehler - “I Wanna Be Like You” by Swingin’ Fireballs (VIDEO): The judges did pick up on the same distraction I did here - Kathryn’s performance was very corny. She could have brought a lot more to her taken-for-granted housewife character - some sass, some ferocity - but no. She played it with a sort of permanent, “Awww, you scamp! Why I oughta…” smirk. I really liked Legacy’s back somersault into a headstand as he fell back into the easy chair though. Judges are in lurve with him.
Channing Cooke & Victor Smalley – Contemporary by Stacey Tookey - “Be Be Your Love (Live at KCRW)” by Rachael Yamagata (VIDEO): Thank god that Nigel had the sense to give Channing & Victor a dose of reality. It should’ve been an INCREDIBLE performance: they’re both very strong Contemporary dancers, this Rachael Yamagata song is (to quote Adam) uhhh-mazing and it dealt with that classic Contemporary theme of a “toxic” couple who push and pull and “yes!” and “nooo!”… but there was a real lack of chemistry and performance. Channing’s been a real disappointment to me since her audition. She’s very guarded and I prefer my dancers to wear their hearts on their sleeves. If this was their “comfort zone”, that’s not a good sign - it was a very generic dance and I wasn’t…inspired, yknow?
Ellenore Scott & Ryan Di Lello – Hip Hop by Lil C – “Lost Boyz Anthem” by J-Squad (VIDEO): Loquacious Lil C (hear that judges?? His name is LIL C, not “Little C”) kind of gave these two a stinker of a number. They were supposed to be robbers/burglars, but they were both dressed in white snowboarding garb, so what was that about? I found Ellenore way more convincing here and thought she deserved more kudos from the judges. There were times when they weren’t synchronized, and it became pretty boring…but I blame the choreography and the obnoxious music which consisted of something like “*siren wail* *keyboard tinking* *beeping*” on repeat. I wouldn’t want to see Ellenore go home though - she has a lot of offer to this competition.
Mollee Gray & Nathan Trasoras – Salsa by Gustavo Vargas - “Quimbara” by Celia Cruz and Johnny Pacheco (VIDEO): Whoa, JANK-O-RAMA. That was pretty damn awful, and y’all know I love me some Nathan. He is getting a little bit too stupid-frat-boy-cocky and needs to reel it in. Dear Nathan, I wanna be your #1 fan, so try to take this piece of advice to heart: HUMILITY. Yes, you’re effin gorgeous (erm, except tonight, when your hairstyle made you look like a 57-year-old uncle), but you have a lot to learn and Jakob is a much stronger Contemporary dancer. If you really want to win, then come back down to earth and win us over with that eager, “I just love to express myself through dance” attitude. The judges won’t shut up about these two being the “dream team” (I dunno about that), but this Salsa was a total NIGHTMARE (see what I did there?). Out of synch, Nathan was doing these exaggerated, bent limb movements, Mollee was a hot (still immature) mess, the shimmying was Jack nasty *sigh*. Can you tell I’m disappointed?
Noelle Marsh & Russell Ferguson – Afro Jazz by Sean Cheesman - “Frog Dance” by Mickey Hart and Planet Drum (VIDEO): Woohoo, last dance of the night! It’s the first time SYTYCD US featured Afro Jazz. I think it was a success. For me, Russell was the star here in the role as the frog. Those leaps! Lordy, lordy! Noelle did great in the really fast-paced part, but I felt she faltered in a few spots in comparison to her partner. It had the judges (afro) jazzed up though - I think we’ll be seeing more of Sean Cheesman in the future. Oh, and Adam made another semi-awkward racial comment when he said sarcastically, “When I think ‘African Princess’, the first person I think of is Noelle!” Get it? Cuz she’s white? Har har har hmmm… :-/
Am I being a Scrooge or was tonight pretty uneven? Do you agree with the judges? I feel like they’re trying too hard to pimp out certain dancers even when they aren’t that strong. So far I’m tiptoeing onto Team Karen Hauer, but will America agree with me? So many questions!
Tomorrow night, we find out the guy and gal who will be eliminated on So You Think You Can Dance. See you then and fill out the poll on your way out: WHICH TOP 16 COUPLE GAVE THE BEST PERFORMANCE?

















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